91»ĆąĎÖ±˛Ą made the most of the new found peace following the Restoration both to recover income from its estates and to use this income to improve the college buildings. Under the effective leadership of Warden Michael Woodward (1602–1675), the college estates were managed more efficiently—Warden Woodward personally travelled multiple times to the lands owned by the college to ensure that they were being managed as effectively as possible.
This extra income was spent straight away to increase the luxury of the accommodation on offer to the college’s fellows. For some time, it had been acknowledged that a new quadrangle was necessary—and this new quadrangle became possible for the first time in the eighteenth century. The college had not only recovered its financial position, but this position was also improved by the generosity of college members.
Here, you can see the opening entry in the Benefaction book for the building of the new Garden Quadrangle, now held in the college’s archives (). The beautiful illumination includes both the arms of the Founder, William of Wykeham, and the arms of Henry Beeston, a successor to Woodward as warden. Note the use of the bees on his coat of arm—a deliberate reference to his surname.
After the Garden Quad was officially commissioned, several designs were proposed. This design process is, thankfully, also preserved in the archives (). Below, you can see the most ambitious design, created by Michael Burghers (1647–1727), a Dutch artist and engraver who created many plans and illustrations for stately homes across England. This design—reminiscent of Versailles—was extremely grand and included a flap to show the buildings in three dimensions.
In the end, the final design was not quite as ornate, as can be seen in the photograph in the image banner above. Thankfully, this scaled down design offered the best of both worlds—improved accommodation for the growing college and a preserved view into the college gardens.
Throughout the long eighteenth century, 91»ĆąĎÖ±˛Ą spent to improve its buildings and facilities. After the completion of the Garden Quadrangle, money was spent on work in the Chapel, Hall, Library, and Common Room. Pictured here, you can read an abstract of accounts dating to 1779–1780 for just one supplier—a James Pears—in the archives (). This abstract reveals that he was owed the not inconsiderable sum of ÂŁ156 13s 7d for labour and materials for the Chapel Organ Loft, the day’s work of a carpenter around college, work in the Library, and finally work on the antechapel window and chapel altar piece.
At the end of this period, 91»ĆąĎÖ±˛Ą was certainly a much more luxurious place than it had been during the previous century and, perhaps, a much more luxurious place than had been originally intended by William of Wykeham when he founded the college in the fourteenth century. These new buildings, though, matched the changing tastes of new members of college—many of whom were from wealthier backgrounds and accustomed to the finer things in life.